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APRIL 1999
| FEATURES | Analyze This
Lock, Stock and Two Smoking Barrels ALSO
| Tribute to Stanley Kubrick LAST
| Oscar Fervor ARCHIVES | Movies |
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TIM CLIFTON
"Analyze This" is a very successful comedy that manages to comment on what
seems to be every possible intersection between the mob, movies about the mob,
and psychiatry. The premise alone is enough to make any moviegoer think up their
own little jokes. I half expected the line: "I've got your analysis right here"
in the movie, yet it wasn't. And that's what makes this movie work for a solid
90% of the time, original and very funny scenes that maximize the use of this
premise. The success of "Analyze This" is much like another Harold Ramis
directed movie, "Groundhog Day" where the main character is forced to relieve one
day over and over and over, yet the comedy is sustained very adeptly. It is impossible to encapsulate De Niro's acting career here, but it is
highly varied. De Niro has had roles with comedic flourishes, dramatic roles
with touches of humor that served the dramatization of his character. The two
time Oscar winner (supporting actor for "Godfather II" and actor for "Raging
Bull") has occasionally had roles that were more comedy oriented ("Midnight Run",
"The King of Comedy", "Jacknife", "Mad Dog and Glory", "We're No Angels"). But
this is the first time he has attempted a full blown comedic role. That he
succeeds so effectively is a testament to his ability as an actor. And consider the history. De Niro has starred in a series of films
about the mob (Casino, GoodFellas, Mean Streets), classic films that are
populated with incomparable characters. Whether it's the truth about the mob,
who knows? But the point is that stories about the mafia or the mob is a gold
mine to investigate conflict, loyalty, and betrayal. De Niro has effectively
processed these themes into a comedic role, changing them, tweaking them, still
delivering a powerhouse performance, a wonderful comedic one. It would be interesting to know who was on the short list for this role,
and there probably isn't anyone aside from Joe Pesci, ("My Cousin Vinny") who
could have played this role. Yet Pesci always plays a dangerous sociopath in his
memorable roles and uses humor as an expression of that pathology, principally
sending a mixed message. In Goodfellas, he would be joking one minute, then he's
cutting up someone's face. What makes this role work for De Niro is that he is
still playing a tough guy you don't want to cross, and the way he can show
admiration and displeasure within seconds of each other is a large element of the
humor. When he really insists that Crystal has a gift he means it, and it is not
advised to disagree with him too strongly. Even the one scene where De Niro, playing the head of the Vitti family,
has one of his patented explosive scenes, results after his frustrating attempt
to understand a rival don's (Chazz Palminteri) "feelings"and "concerns" at the
behest of Crystal. De Niro's classic expression of anger is played for laughs
and is hilarious. De Niro is so good in this role that Billy Crystal essentially
plays his straight man, and the funniest scenes are when he is reacting to what
De Niro is saying or trying to explain himself. In addition, the supporting role by Joseph Viterelli, (The Firm) as De
Niro's loyal soldier, is uproarious, and the second major acting surprise in the
movie on par with Bronson Pinchot's role as Serge in "Beverly Hills Cop". As the
self admitted moron, he steals scenes from everyone in the film and draws big
laughs as he explains, after one gunfight, that Crystal only managed to hit a car
and a freezer The only weak points in this film is it's length (about 10 to 15 minutes
too long), a completely unnecessary shootout at the end of the movie while, not
graphic, shows that the writers were very uncertain about how to end the film.
Lisa Kudrow is wasted in a role that one of dozens of actresses could have
played, her comic abilities are not even close to mined here, and finally, a
ludicrous situation at the end where Crystal pretends to represent the head of
the crime family at a big meeting, almost as if this is an attempt to give
Crystal the opportunity to drop a few well timed jokes - to essentially try to
give him equal time in the comic spot light. De Niro is very effective in this movie, his acting is top notch and his
timing and delivery are as good as any comedic actor. There are passing
references to the Godfather movies that many people will miss, but that doesn't
really matter. This movie is easily one of the most enjoyable comedies of the
early part of this year. TIM CLIFTON is Renaissance Online Magazine's staff movie reviewer.
PHOTO of DeNiro by Phillip Caruso, copyright © 1999 Warner Brothers.
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